Gregor suffers from his injuries for several weeks and takes very little food. The relieved and optimistic family take a tram ride out to the countryside and decide to move to a smaller apartment to save more money.
Vier Jahre später erfolgte seine Wahl zum Dezernenten für Kultur, Tourismus und Sport sowie zum ersten Stellvertreter des Görlitzer Oberbürgermeisters Im Jahre 2008 schied er aus dem Amt des Görlitzer Kulturbürgermeisters und war danach als Kulturberater, Dozent und Projektmanager tätig. She and her mother begin taking furniture away, but Gregor finds their actions deeply distressing. Gregor is the main character of the story. He sees his employer as a despot and would quickly quit his job had he not been his family's sole breadwinner and working off his bankrupt father's debts. After the metamorphosis, Gregor becomes unable to work and is confined to his room for most of the remainder of the story. The name "Gregor Samsa" appears to derive partly from literary works Kafka had read. This proves too much for her, thus giving rise to a conflict between her maternal impulse and sympathy, and her fear and revulsion at Gregor's new form.The Charwoman is an old lady who is employed by the Samsa family to help take care of their household duties. In 1989, Nina Pelikan Straus wrote a feminist interpretation of In 1999, Gerhard Rieck pointed out that Gregor and his sister Grete form a pair, which is typical for many of Kafka's texts: It is made up of one passive, rather austere person and another active, more libidinal person.

Gregor begins to accept his new identity and begins crawling on the floor, walls and ceiling. To help provide an income for the family after Gregor's transformation, she starts working as a salesgirl. Franz Zauleck (* Juni 1950 in Berlin) ist ein deutscher Bühnenbildner, Grafiker, Bilderbuchillustrator und -autor. During the short trip, Mr. and Mrs. Samsa realize that, in spite of the hardships that have brought some paleness to her face, Grete has grown up into a pretty and well-figured lady. He desperately tries to save a particularly-loved portrait on the wall of a woman clad in fur. This is achieved from the construction of sentences in the original German, where the verbs of subordinate clauses are put at the end. Kommissionsverlag der Wagner’schen Universitätsbuchhandlung, Innsbruck 1985, S. 47–59 (darin auch Eva-Maria Pyrker, Christoph Ulf: Schriftenverzeichnis von Franz Miltner, S. 104–106). His attitude towards his son is harsh; he regards the transformed Gregor with disgust and possibly even fear, and he attacks him on several occasions.Mrs. Unable to get up and leave the bed, Gregor reflects on his job as a traveling salesman and cloth merchant, which he characterizes as being full of "temporary and constantly changing human relationships, which never come from the heart".
Anschließend war Großmann bis 1990 in Görlitz als Musiklehrer und Chorleiter tätig. 2011 wurde Großmann als Nachfolger von Großmann war seit 1980 verheiratet und hatte sechs Kinder. Gregor Samsa wakes up one morning to find himself transformed into a "monstrous vermin". Gregor attempts to communicate with both the manager and his family, but all they can hear from behind the door is incomprehensible vocalizations. Samsa is Grete and Gregor's mother. One of them is lodged into a sensitive spot in his back and severely wounds him. Von 1978 bis 1982 studierte er an der 1990 wurde er durch die Görlitzer Stadtverordnetenversammlung zum Dezernenten für Kultur, Tourismus und Sport gewählt. Her initial decision to take care of Gregor may have come from a desire to contribute and be useful to the family, since she becomes angry and upset when the mother cleans his room, and it is made clear that Grete is disgusted by Gregor; she could not enter Gregor's room without opening the window first because of the nausea he caused her, and leaves without doing anything if Gregor is in plain sight. He initially considers the transformation to be temporary and slowly ponders the consequences of this metamorphosis. According to Sudau, Gregor is self-denyingly hiding his nauseating appearance under the canapé and gradually famishing, thus pretty much complying with the more or less blatant wish of his family. He is increasingly neglected by his family and his room becomes used for storage. The cleaning lady alleviates Gregor's isolation by leaving his door open for him on the evenings that the tenants eat out.